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一 |     安全过假期          欢乐迎新春          睿雅育英幼儿园寒假假期温馨提示          假期通知及安全教育                    亲爱的家长朋友:           您好!岁末年初,辞旧迎新,伴随着孩子们的欢声笑语,本学期画上了圆满的句号。

二 | 在此,我们衷心感谢所有家长对睿雅育英幼儿园工作的理解、支持和帮助!           2025年寒假假期到来之际,为确保孩子度过一个安全、快乐而有意义的假期,希望家长们能切实承担起监护职责,加强对孩子假期生活的关心与指导,现将寒假假期时间安排及安全注意事项温馨提示如下:                    一、寒假假期时间安排                    寒假时间:          2025年1月18日至2月16日          开学时间:          2025年2月17日(正月二十)                              二、安全注意事项温馨提示          饮食安全教育           拒绝不健康的食物和不干净或变质的食品;杜绝孩子暴饮暴食,避免造成胃肠负担过重,消化吸收不良,并注意饮食卫生安全,督促孩子勤洗手,防止“病从口入”。    Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years.      In This Article      Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966)          Cast: Dharmendra, Sharmila Tagore, Tarun Bose               Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life.     Aashirwad (1968)          Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal          Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance.      Satyakam (1969)          Cast: Dharmendra, Sharmila Tagore     The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth?     Anand (1971)          Cast: Rajesh Khanna, Amitabh Bachchan          Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor  Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun.     Guddi (1971)          Cast: Dharmendra, Jaya Bhaduri     Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl.     Bawarchi (1972)          Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote     The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it.     Namak Haram (1973)          Cast: Rajesh Khanna, Rekha, Amitabh Bachchan          This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle.     Abhimaan (1973)          Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal          Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film.      Mili (1975)          Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar     Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome.      Chupke Chupke (1975)           Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan          The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion.      Khubsoorat (1980)           Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala     When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by  Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards.           The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。自觉养成良好的个人卫生习惯,勤洗手勤换衣,吃饭时,坚持公筷制、分餐制,防止传染病的发生。

三 |          居家安全教育           不留幼小的孩子独自在家;教育孩子在家时,不给陌生人开门。做好家庭阳台、平台等区域的安全防护。

四 | 教育孩子不向楼下抛东西,不攀爬阳台、门窗或其他高处,谨防摔伤、坠落。          及时排查家中电线、燃气管道、电器、刀具及其他器械安全,防止触电、煤气中毒、器械伤害等事故。将易燃、易爆、易碎、有毒、锋利等物品,以及其他对孩子身心有不良影响的玩具保管好,不让孩子接触,教育孩子不随意把东西放进嘴、耳、鼻、眼中。                                                 防电信诈骗安全教育           1.不要轻易相信陌生人,不随意向外人提供自己的信息,如:家庭住址、电话号码、银行卡号、密码、家庭经济状况等信息。          2.接到陌生电话、短信,一定要保持冷静,当对方恐吓你银行卡透支、涉嫌犯罪、家人亲戚朋友遇事等可疑情况时,请立即与家人联系协商核实,或者拨打110报警。          3.如家长收到任何冠以幼儿园名义的陌生电话、短信、微信等推送的收费信息或者是二维码时都不要轻易点开,务必先向幼儿园或者班级教师确认,不要轻易相信不明信息,更不要造谣、信谣、传谣。

五 |           4.幼儿园不会以短信方式推送教学链接,请关注幼儿园公众号、班级群等渠道通知。          5.一旦发现可疑情况,保存好相关证据并及时报警。

六 |          交通安全教育           出行前应提前了解天气信息,留意交通广播、道路电子显示屏的提示信息,根据天气情况合理安排出行。

七 | 开私家车出行,要提前检修车辆,确保车子状况良好;不要让孩子坐副驾驶位;家长也要做到开车时系好安全带、不看手机、不酒驾、不疲劳驾驶,安全出行。         防拐骗安全教育           家长一定要告知孩子一些防盗、防骗和防拐知识,让孩子的人身安全得到保障。比如不随意与陌生人交谈,或者与陌生人一起离开,独自在家时不随便给陌生人开门,不随意透漏幼儿园家庭住址等私人信息。         烟花爆竹安全教育           春节将至,燃放烟花爆竹不仅容易引起火灾,燃放过程中产生的有害气体还会对环境造成污染。小朋友和家长们要自觉遵守《青岛市烟花爆竹安全管理办法》要求,倡导文明、守法、低碳、绿色的节日新风尚。         用电安全教育           教育孩子正确认识电器及开关。让孩子尽量远离危险的电器,避免发生意外。

八 | 学会正确应对意外,让孩子知道一旦电器发生短路时,不要惊慌,找大人查清原因。

九 | 如果有电器发生火灾,要先切断电源再抢救,切忌直接用水灭火。         消防安全教育           禁止孩子玩火:家里的火柴、打火机、煤气、酒精等易燃易爆物品要放在远离孩子的地方,定期检查其安全性,避免孩子玩火。家长一定要加强监督,让孩子知道玩火的危害,避免火灾的发生。          学会自救与逃生:教育孩子火灾逃生技巧。如有意外火灾发生,不要记挂着家中的物品,应第一时间逃生。

十 | 用湿毛巾捂住口鼻,弯着腰避开烟雾,往开阔的地方逃生,不乘坐电梯,不要跟人群拥挤。         防滑冰溺水安全教育          每年冬季滑冰溺水事件都有发生,春节假期期间,孩子时间宽松,家长要注意加强防溺水安全教育与管理,告诉孩子:           1.不到设有“禁止下水(游泳)”标志的水域附近玩耍;           2.不到河塘、水库等危险的水域冰面上行走、玩耍、滑冰、捡物品等;           3.发现伙伴去冰面玩耍,要及时提醒和劝阻,劝阻无效时,要立刻告诉老师或家人。发现有人溺水应及时呼救,不要自行下水救援;           4.如果要滑冰,应在大人陪同下,去正规的滑冰场所,并且全程不能脱离大人的监护视线;           5.外出时要告诉父母:到哪里去、和谁一起、做什么、什么时间回来,严禁私自相邀外出玩耍。         心理安全教育           尊重、关心、理解孩子,教育孩子时,晓之以理,动之以情,导之以行,切忌采取简单粗暴的方法。

十一 |          假期小建议          一、关于习惯           1.鼓励孩子自己的事情自己做,让幼儿承担一些力所能及的家务,如:擦桌子、摆板凳、摆碗筷等等,做爸爸妈妈的小帮手。          2.不要过多的让幼儿看电视、电脑、手机等危害幼儿眼睛的事情。

十二 |           3.保持良好作息时间。

十三 | 假期期间坚持早睡、早起、多锻炼身体。         二、关于陪伴           假期是难得的亲子时光,鼓励孩子在家中参与家务劳动,抽出时间陪孩子亲子阅读、亲子手工、绘画日记、体能运动都是很不错的选择,少一些不必要的聚会,多一些亲子的用心陪伴,这会是送给孩子最有意义的仪式感。         三、关于春节           春节是我国的传统节日,家长可以给孩子讲述有关春节的传统文化故事,让孩子真正参与到各类礼仪、习俗的活动中,更加深切地感受传统节日的意义。

十四 |          喜迎新春           春节将至,睿雅育英幼儿园全体教职工祝您在2025年平安喜乐、万事顺意,愿孩子们健康快乐成长!愿我们每个人都能拥有一个平安快乐的春节,平安幸福永远相伴!          迎          新          春                                                  关注我们 了解更多                    图文编辑:潘晓辉          一 审:潘晓辉          二 审:陈邰阳          终 审:张 慧。

十五 |

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